In an entrancing double bill that encompasses varying styles of dance, Études is a beloved classic that shows you the complexity of ballet technique, alongside a spectacular new contemporary commission, Circle Electric by Stephanie Lake. These two works demonstrate the preparation and dedication of ballet dancers as they advance from the studio to the stage in a thrilling display of talent and emotion. Études Harald Lander Études, French for ‘studies’, takes the dancer’s morning ritual of ballet class and transforms it for the stage. Designed to gradually warm up muscles and align the body for rehearsals and performance, the classical ballet class follows a standard order of exercises that start small and gradually get bigger and more complex. Circle Electric Stephanie Lake Using the full force of The Australian Ballet's dancers, Circle Electric starts as a microscopic investigation of the intricate and the intimate, ultimately expanding to encompass a telescopic view of humanity. Working with her largest cast to date, Lake creates rhythms and patterns to composer Robin Fox’s unique score, which blends live orchestra with his signature electro-acoustic sound worlds and reunites with the design team behind her hit piece Manifesto.